11/28/2023 0 Comments Sound radix 32 lives review![]() Inconsistent Phase-cancellation Between Layered Drum Samples: If you’re going to layer more than one drum sample to create a single composite sound, then it’s important that the samples are kept perfectly in sync with each other. Lining up a slight timing disparity between the snare waveforms in each channel as well Ex08.05: WAV/ MP3 play_arrow improves the attack of this instrument in mono, as well as shifting it more towards the centre of the stereo image. Matching the polarity of the two mics Ex08.04: WAV/ MP3 play_arrow provides a much more believable stereo image and improves overall mono-compatibility. ![]() This results in a disconcertingly wide sound in stereo and a loss of subjective low end in mono. Stereo Polarity And Phase Fixes: This audio example contains a section of a raw drum-overheads recording from Mix Rescue April 2010, in which the left and right channels are out of polarity Ex08.03: WAV/ MP3 play_arrow. In both cases this low-frequency information serves no useful tonal purpose, so is best removed with high-pass filtering in order to preserve low-end clarity and overall mix headroom. ![]() ![]() Unwanted Subsonics: Here are two examples of real-world small-studio recordings containing high levels of unwanted extreme low-frequency energy: the vocal Ex08.01: WAV/ MP3 play_arrow from Mix Rescue April 2009 and the acoustic guitar Ex08.02: WAV/ MP3 play_arrow from Mix Rescue August 2010. (To download all WAV examples at once: 16MB ZIP) ![]()
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